Chalk it up to aging, having a parent die, climate change, the general shaking up of assumptions that is the latter-twennyteens, but I’ve been wrestling with my creative goals in blogging.
Jason Kottke, who started before me (and that’s saying something), had a very helpful post recently, ‘The Legacy of Philip Glass‘. Glass said about the future of his works, “I won’t be around for all that,” he said. “It doesn’t matter.”
Now as someone trained in history and librarianship, that’s not a sentiment I swallow easily. As someone who has had seen the writing legacy of beloved people—pour one out for Leslie, for Brad—vanish or fade from the Web, that’s something that instills worry not a sense of release.
But Jason also quoted and linked to Austin Kleon expanding that piece with thoughts about lineage vs. legacy:
“I like this idea of thinking about lineage vs. legacy, because it means you can sort of reframe any worrying about immortality and how you’re going to project yourself into the future, and think more about what you’re taking from the past and what you’re adding to it that creates a more interesting and helpful present.”
That’s got me looking hard at what I’ve been doing with my ‘retroblogging’. I described it as writing an autobiography in slow motion. And, to pull a phrase from Kleon, it was centered in projecting myself into the future.
But the future doesn’t need more of me.
That’s why I decided decades ago not to have children; I do not require permanence of myself or of some sort of avatars of me.
When I look at my major works—my book and game store in the mid-1990s, the book Discardia: More Life, Less Stuff, the book The Art of the Shim: Low-Alcohol Cocktails to Keep You Level, and what I’m doing with the Kabalor project—the value wasn’t in my first ideas, it’s in the synthesis of ideas I achieved after studying, listening and learning from others.
That’s a reminder to turn the inputs into outputs. Instead of merely talking or documenting, amplify and reflect.
As I write this afternoon, I’m looking at old pictures and thinking what they can inspire. A wiggly handed baby with her mouth open and a bit of a combover being gazed upon with love by a woman with a small bouffant suitable to a 60’s soul backup singer. The same baby dancing horizontally—foot kicking, arms waving—with tongue sticking out of her mouth in concentration. Excited baby amidst toys, bracketed by grandmother and great-grandmother. Wiggling baby/toddler again, hands waving and mouth open, in lap of laughing mother, hair now smaller but in a cute ’60s dress that still evokes stylish femininity. Back to baby on the rose-printed blanket on the floor amidst toys including foil pie pans, thumb in mouth and hand gripping the blanket edge. Rolling and stretching hands to be picked up. Unable to sit up, but able to raise on hands to gaze into a doll’s face or at the camera. Puzzled by the toy grandpa beckons with, unsure if it’s worth releasing the toy in hand to reach for. A note about immunizations—Diptheria, Tetanus, Pertussis, Polio—which places this baby at a point in time. Baby in a little tabletop seat, like a carseat but before they came into use, gaze away from mother, thumb in mouth, other wrist held gently to keep that hand from interfering with the loaded spoon; a mealtime standoff. In mother’s lap, gripping the spoon as she coaxes me to cooperate and eat; she is beautiful, like an escapee from a Renaissance painting, and I am intently focused on taking control of my fate, even if it only involves this bite. And with intent, I become not “a baby” but “me”. In father’s lap in an armchair beside a board-and-cinder-block bookcase, gazed at by him and by mother sitting beside chair, her hair in transition from fancy updo’s to the long natural look I remember from childhood; they are so young, so young. And, the baby, me, is safe and happy.
Filter, absorb, create, refine. I mark the posts with the pictures private; nothing to offer others. The next time through, my thoughts above will become further distilled, and maybe then or the distillation after that, if ever, there might be something to carry on beyond my time.