Legacy vs. Lineage

Chalk it up to aging, having a parent die, climate change, the general shaking up of assumptions that is the latter-twennyteens, but I’ve been wrestling with my creative goals in blogging.

Jason Kottke, who started before me (and that’s saying something), had a very helpful post recently, ‘The Legacy of Philip Glass‘. Glass said about the future of his works, “I won’t be around for all that,” he said. “It doesn’t matter.”

Now as someone trained in history and librarianship, that’s not a sentiment I swallow easily. As someone who has had seen the writing legacy of beloved people—pour one out for Leslie, for Brad—vanish or fade from the Web, that’s something that instills worry not a sense of release.

But Jason also quoted and linked to Austin Kleon expanding that piece with thoughts about lineage vs. legacy:

“I like this idea of thinking about lineage vs. legacy, because it means you can sort of reframe any worrying about immortality and how you’re going to project yourself into the future, and think more about what you’re taking from the past and what you’re adding to it that creates a more interesting and helpful present.”

That’s got me looking hard at what I’ve been doing with my ‘retroblogging’. I described it as writing an autobiography in slow motion. And, to pull a phrase from Kleon, it was centered in projecting myself into the future.

But the future doesn’t need more of me.

That’s why I decided decades ago not to have children; I do not require permanence of myself or of some sort of avatars of me.

When I look at my major works—my book and game store in the mid-1990s, the book Discardia: More Life, Less Stuff, the book The Art of the Shim: Low-Alcohol Cocktails to Keep You Level, and what I’m doing with the Kabalor project—the value wasn’t in my first ideas, it’s in the synthesis of ideas I achieved after studying, listening and learning from others.

That’s a reminder to turn the inputs into outputs. Instead of merely talking or documenting, amplify and reflect.


As I write this afternoon, I’m looking at old pictures and thinking what they can inspire. A wiggly handed baby with her mouth open and a bit of a combover being gazed upon with love by a woman with a small bouffant suitable to a 60’s soul backup singer. The same baby dancing horizontally—foot kicking, arms waving—with tongue sticking out of her mouth in concentration. Excited baby amidst toys, bracketed by grandmother and great-grandmother. Wiggling baby/toddler again, hands waving and mouth open, in lap of laughing mother, hair now smaller but in a cute ’60s dress that still evokes stylish femininity. Back to baby on the rose-printed blanket on the floor amidst toys including foil pie pans, thumb in mouth and hand gripping the blanket edge. Rolling and stretching hands to be picked up. Unable to sit up, but able to raise on hands to gaze into a doll’s face or at the camera. Puzzled by the toy grandpa beckons with, unsure if it’s worth releasing the toy in hand to reach for. A note about immunizations—Diptheria, Tetanus, Pertussis, Polio—which places this baby at a point in time. Baby in a little tabletop seat, like a carseat but before they came into use, gaze away from mother, thumb in mouth, other wrist held gently to keep that hand from interfering with the loaded spoon; a mealtime standoff. In mother’s lap, gripping the spoon as she coaxes me to cooperate and eat; she is beautiful, like an escapee from a Renaissance painting, and I am intently focused on taking control of my fate, even if it only involves this bite. And with intent, I become not “a baby” but “me”. In father’s lap in an armchair beside a board-and-cinder-block bookcase, gazed at by him and by mother sitting beside chair, her hair in transition from fancy updo’s to the long natural look I remember from childhood; they are so young, so young. And, the baby, me, is safe and happy.

Filter, absorb, create, refine. I mark the posts with the pictures private; nothing to offer others. The next time through, my thoughts above will become further distilled, and maybe then or the distillation after that, if ever, there might be something to carry on beyond my time.

My current project: Kabalor, a binaryless universe for fantasy gaming

Kabalor is my original universe for fantasy gaming which moves away from the binary bias and colonialist baggage of certain other games built on wargaming and traditional divisions of good/evil, male/female, civilized/savage, people/monsters. The core tension is not a battle between binaries, but the shifting power dynamics among Chaos, Order, and Balance.

Rather than lock myself away to write a sourcebook alone, I’ve created a Patreon community where I can share the growing body of work as it is ready, hear feedback and ideas, and make a better game for us all. The more gamemasters and players of Kabalor, the more it will be the open, inclusive, diverse, fantastic universe we need.
patreon.com/kabalor

A purple/lilac skinned hooded figure wearing leather armor stands in front of a heavy wooden door, holding a crossbow in her hand and pointing it upward. She has leather armor, big cuffed boots, and a dagger at her hip. The figure and the door are both 1:60 scale miniatures.
HeroForge mini of Alia Haako, Ethakan rogue, as painted by the wonderful Astrid Bjørge

You can click the ‘Follow’ button on the Patreon page to receive new free posts as they go up. Thanks for reading and sharing feedback with comments if you feel like it.

If you want to really get into it, you can become a patron. Your monthly $1 support allows you to see exclusive or early versions of materials shared with my patrons plus new content about Kabalor every week. Also you’ll get access to detailed discussions and polls about the content and what comes next.

As I share this new universe, because I grew up within and continue to enjoy a lot of privilege (white, cis, middle class, educated), I need to do the work of listening to under-represented voices. Finding the flaws and dismantling them will take a community. By supporting my patreon you support that work. I look forward to learning from and amplifying those voices.

Creating Space to Be Myself Now

One of the key lessons for me of the past few years is that it detracts from my wellness to try to have both my list from before the various crises in my life and my list of what I need and want to do now. However much I say, “oh well that old list is on the back burner”, it is still bubbling and using my mental fuel. I can’t have two #1 items, even if I tell myself that one of them is not active for the moment. I gotta recalibrate and bring it together in one calm vision for myself.

The best thing about accepting that is that the process of integrating my expectations of myself is an inherently therapeutic process. Though the enhanced calm is important, most of that benefit is coming from really giving myself permission to drop things. Not just shove them back ‘for right now’ (i.e., years), but let them go. Discardia is good for the soul and for reducing that overwhelmed, inflamed feeling.

The biggest change is re-orienting myself to my writing and other creating. I am refocusing myself on the creative work and away from the idea of producing products on a particular schedule. It doesn’t make anyone less of a Real Writer to give a work the amount of time it needs to come to fruition. Nor is it mandatory to bring out a new book every couple years. The publishing industry would like you to, but I don’t write for a publisher; I write for myself and my readers.

As I’m sure a lot of stay-at-home parents or others who are outside the paycheck economy have struggled with, validity is not measured by take-home pay. Much of our culture sends a different message, so it takes work to find solid footing to appreciate yourself and what you do. In my case finding that footing is helping me recognize a few “to-do” items on my list which were more cargo cult enacting of “being a publisher” than necessary to the process of writing and sharing my work.

One thing that prompted some of this change is that the medication I was prescribed about a year ago limits me to two cocktails a week. I find I really can’t be an active cocktail writer under that constraint and I don’t want my work and my wellness to be in conflict, so I’m giving cocktail writing a big “I love you, man, you’re the best, no I mean it, I love you, all you guys” sloppy hug and going home.

Not writing a sequel to The Art of the Shim: Low-Alcohol Cocktails to Keep You Level lowers the need for a lot of the capital P publisher infrastructure we’d created. Simplifying that part of my life is some of the work I’m doing this month and I’m already enjoying the lightness it is giving me. I don’t have to put out a book this year because it’s been “too long” since the last one. I don’t have to feel guilty over a long list of posts and essays I thought at one time that I’d write. Cool ideas! Okay to let them go!

This exercise in looking at where my time vs. where my mental energy goes vs. my actual current priorities has also unveiled some time sucks that I can prune away. Goodbye, Twitter. It’s not me, it’s you. You make me anxious and distracted and frankly, you have too many nazis and misogynists and racists and homophobes and paranoid dudes who think giving babies free food is gonna take food off their own plate. Ugh. Good riddance to that distraction.

I looked at the carefully curated list of accounts I followed, added a lot of them to the website feed reader built into WordPress.com, let go of the “need” to keep up with some, and made a monthly reminder to check the other two that couldn’t go in the feed reader to see what they’ve been up to. Then I added the Switcheroo Chrome extension to redirect me to my WordPress Dashboard every time I try to go to Twitter.com. It feels fantastic and I am already getting a lot more done with my day.

Yes, I’m on Mastodon, but both it structurally and my decision of the number of people I follow on there are designed to be very quick to keep up with. It doesn’t devour twenty minutes of my time multiple times a day in the way Twitter can.

I’m excited about this paring down and focusing. I’m excited about the space I’ve created for healing and for whatever creative projects I want to do now. I’m grateful to myself for the permission to let go, to be done with things. My shoulders feel lighter.

I’ll be posting more in the coming days as I part with some of these past projects. I hope you enjoy this somewhat random tour through my interests. 😀

Zipper Pouch with divider and pen holder

My latest sewing project introduced me to

  • changing the foot on my sewing machine
  • using a zipper foot
  • sewing a zipper
  • modifying instructions without making additional pattern pieces or a mock-up

I looked at a lot of zipper pouch tutorials and then mostly followed these two:

I wanted to do a quick learning project that would also result in a gift for my mom’s cousin, author C’Anna Bergman-Hill and which would use a fabric she really liked from my remnant finds at Shaukat Fabrics in London.

This was fortunately on my mind last month when I went to Fabric Outlet, so I remembered to bring the remnant and get a matching thread and 9″ zipper. The next step was to decide which fabric to use for the outside of the bag. I wanted something sturdier than the light, almost-chiffon of the remnant to help give the pouch some structure. I hadn’t bought a fabric intentionally for this on that shopping trip, but a brown linen remnant I’d bought then (intending to try making fabric coasters with it) turned out to be perfect. I recommend fabric selection as a lovely “last thing of the day” activity; I went to bed that night feeling happy about the upcoming project.

Because I am kind to my future self, I had already washed both fabrics before putting them in my fabric storage area. Thus when I was ready to get started all I had to do was iron. Being a little nervous that ironing, even on the wrong side, might make the linen shiny, I tried using a piece of muslin between it and the iron as a pressing cloth and that seemed to work fine.

A narrow white table with a plush bath towel draped down it. A bright flowered print fabric and a plain white muslin are atop the table, with an iron to the right of the towel and various bits of sewing-related stuff pushed out of its way.
No ironing board, but a thick towel on my worktable is fine.

The idea of changing zipper length is a bit daunting, so I chose a pouch design where the pieces are the same length as the zipper tape (the fabric part of the zipper). I used that as the width and then decided on a height based on wanting to be able to fit a little notebook and a short pen pocket inside. I made one paper pattern piece for that and cut out four pieces of the lining (since I wanted to add a divider inside to create two pockets) and two pieces of the outer fabric using it.

Rectangles of bright flowered fabric sit on a white table. Blue tailor's chalk  has been set down after marking around a green paper pattern sitting atop uncut fabric. The point of a pair of tailor's shears sticks into the picture from the right.
I thought just holding the pattern piece down and then using tailor’s chalk would be precise enough for this, but next time I think I’ll at least put a few pins in, mark with chalk all around being more careful to keep the chiffon from shifting around, and cut more carefully with longer strokes. It’d just be a little easier in the later stages when lining up all the layers to have their edges very regular.

Then I cut out two 2″ squares to cover the ends of the zipper and a piece to become the pen pocket.

Rectangles of bright flowered fabric (in a pattern of gold, green, and coral colored dahlia flowers on a sky blue background) are neatly arranged with three smaller pieces beside them. A cheerful hot-dog-mustard-yellow zipper rests above the flowered fabric and the edge of  dark brown linen fabric rectangles is visible at the left of the picture.
Here I’ve got the divider pieces stacked and I’m playing with the pen pocket piece, folding over the ends so I can give it extra toughness to help withstand the pressure of having a pen shoved in, grabbed quickly, and rubbing on things while the pouch is inside a purse and moving around.

I gave the pen pocket a lot of extra folded fabric around the bottom where it will experience the most strain.

Dinah's fingers hold down the pen pocket piece in progress. It is a rectangle folded lengthwise to make a tall sleeve open along three edges. The top and bottom edges have been double-fold seamed, and the bottom edge has now been folded over again that same amount, ready to be sewn into that position.
Double fold seams sewn at the top and bottom of the pen pocket and then the bottom folded over to be sewn again.

Next I pinned the two divider pieces wrong sides together, stitched across the top, and flipped them around so I could attach the pen pocket by one edge (on a right side of the divider fabric) by stitching along its righthand side and bottom.

The pen pocket piece, pinned to the divider layers, is on the sewing machine. Its folded edge is under the needle, ready to stitch down the long side and around the bottom (in a reversed L shape), leaving the open long edges of the pocket even with the side edge of the divider where it will later be stitched into a seam. Dinah's fingers are holding the tails of the needle thread and bobbin thread out of the way to the left.
I’m still getting the hang of keeping my thread tails out of the way when I start, so that I don’t end up sewing one into the end of a seam or making a lump. Getting better bit by bit!

The folded design results in a two compartment pen pocket.

Dinah's fingers hold up the two folded sides of the pen pocket piece, now stitched to the divider layer, to show how they form a double pocket (the divider piece acting as a backing).
Such a lightweight fabric won’t hold up forever, but this ought to work for a while.

Note how it is placed on the divider piece as high up as will comfortably allow a small pen to fit in there (I tested with the pen I’ll be gifting with the bag) and will allow room to shorten the divider in the next step for a good fit.

Press the divider piece flat, wrong sides together, as it will be in the finished pouch. Then trim a bit off the bottom to allow clearance for the zipper to be used without constantly snagging on it.

On top of the plush towel, with the iron's edge just visible at the side of the photo, the divider piece and one of the side lining pieces have been arranged edge to edge, right sides up. The top edge of the divider has been positioned about half an inch shorter than the lining. A steel ruler rests in line along the bottom edge of the lining, sticking across the divider piece and indicating where its bottom edge will need to be trimmed. White tailor's chalk and large, shiny metal tailor's shears are ready to mark and trim.
I just eyeballed this, but it worked pretty well. I’d probably go another .25″ shorter in future, but this works fine.

On the top is the divider piece, on the bottom is one of the lining pieces. Remember that the divider bottom is still unfinished and will need to fit into the seam between the lining pieces later, so make sure there’s some seam allowance room under the pen pocket.

Yes, my tailor’s shears are a work of wonder. I love them so much. And they return safely to their private storage box when I’m done cutting fabric so I never use them on anything I shouldn’t or knock them on the floor. You can watch how they were handmade in this wonderful 5-minute documentary. Supporting craftsmanship like that is very important to me and these make me happy every time I touch them.

The next step is when I started to feel myself pushing into new territory. I wanted to be sure I didn’t bring the sewing machine needle down on a metal part of the zipper, so I was ever so careful. First I put a pin into one of the little 2″ squares right at the zipper stop, the fabric’s right side is toward the zipper. And stitched as near that as I could without hitting the pin.

Yellow zipper tape ends protrude from under a pinned piece of bright flowered fabric which has just been stitched on.
Don’t hit the pin, you don’t hit the zipper stop.

Then I folded it back over and stitched it down again, now being able to see and avoid the metal stop. I just put a pin in there to keep the zipper tape ends flat and even and keep the square nicely placed.

The bright flowered fabric has now been folded over to show its right side, revealing the bottom stop of the zipper, and pinned so it can be stitched into that position.
You can see where I wasn’t happy with my first try at attaching this and seam-ripped it out. Perfectly fine to leave it rough like that since that bit of fabric will be inside the walls of the bag and never seen.
The zipper and small piece of flowered lining fabric after that stitch,  showing a neat finish that matches the lining which may or may not show on the finished piece (but looks much better than gapping zipper tape ends if it does show).
And that’s how it turned out.

The business end is a bit trickier, but here’s how I did it. First, I noticed that there are are stop pieces at that end too, they’re just more subtle.

A small square of bright flowered fabric sitting beside a partially unzipped yellow zipper.
Unzip a bit to get the pull out of your way.

Use your fingernail against those to figure out where to put your pin holding the tape ends and 2″ square (right side down!) to the zipper tape.

Dinah's fingernail pressing down just over the top stops of the zipper, with the square of flowered fabric under her finger and a pin just put in to secure it in that spot.
The needle of the sewing machine ready to descend into the pinned piece, about as far to the right of the pin as the pin is from the top stops.
I thought I was keeping as close as on the other end, but I think I placed it a bit too far beyond the zipper end.
The finished zipper piece, with flowered fabric squares hiding the tails at each end, sits in front of the sewing machine.
Perfectly fine, but still could be a bit prettier at the top end (on the right in this shot). In future, I’d pin at the top stops so that the stitch comes down about half as far from them as it did here.

Next it’s time to make the zipper sandwich. Just keep looking at your work, flipping things back, imagining the finished piece, and thinking about right and wrong sides of the fabric.

Dinah's hand peeling back a layer of lining fabric over the zipper layer over the exterior fabric layer.
So much mental gymnastics going on as I imagine the stitched result and flipping it open and using the zip!

I found it helpful to spin that around and pin the pieces with the edge I was about to sew facing toward me. It helped me get the pieces lined up evenly.

Lesson for the future: consider the position of the pen pocket in relation to the zipper opening. My concept had been that you’d unzip the bag just a bit and there would be your pen. When I’d pieced it all together and stitched it, I realized I’d put the divider the wrong way round and the pen is all the way at the foot of the zipper. Well, it’s less likely to get lost that way, right? 😀

The pinned pieces—exterior side, zipper, lining side—sit in front the sewing machine. The machine's manual rests in the open space in the body of the machine.
Notice also how, knowing the next step requires the zipper foot, I have stuck the manual into the machine to remind me to change feet before sewing the next part.

Those green lights in a wooden block on the top left are my Make Time Clock by Chap Ambrose. There’s a lovely metal push switch at the top that starts a light flashing while I do a session of making and when I’ve completed it, that light stays solid. When I come into the room and see all six lights shining, I know it is a good week. 🙂
The clocks are, alas, no longer available to buy, but I don’t blame Chap; as he says, “I walked the fury road of Kickstarter fulfillment and came out stronger on the other side.”

My first time with the zipper foot was an adventure.

ALWAYS LOOK AT THE PRESSER FOOT BEFORE YOU FIRST REMOVE IT AND THEN IMMEDIATELY TRY PUTTING IT (NOT SOME OTHER NEW FOOT) BACK ON.

I did not do that and so, having pulled off the presser foot with much more ease than I expected, I tried sticking on the zipper foot and was totally confounded. First I tried locking in the wrong end of the foot, then the wrong part of the right end of the foot (it’s the wee bar you’re locking onto it not any of the part of the foot behind that). I went back and forth with the manual, my fingers getting sore and nearly in tears afraid I’d break my machine pushing too hard. It turns out the Janome MOD-19 feet don’t so much “lock in” as “kinda softly sorta snap and you’re hardly sure you’ve actually attached it”. Sigh. Thank goodness for YouTube videos and extrapolation from other machines to my poorly documented model.

To help, here is a nice big picture of sewing with a zipper foot on the Janome MOD-19 sewing machine.

Fabric ready to be sewn rests under the sewing machine's zipper foot. The foot has two sections at the back part so that the notch the needle goes down into in the front metal plate can be just to the left or just to the right of a zipper.
See how just below the point of the needle there’s a gray plastic piece (that’s the foot holder) with a dark horizontal line in it? The horizontal line is the bar on the foot—you can see one in the righthand side of the zipper foot. THAT’s what you’re “locking” on to the Janome MOD-19 foot holder. Sigh. If only I had looked at it more closely and verrrry slowly removed the presser foot to understand this better the first time. Learning!

One of the videos gave me the tip about using the front part of the foot to target my seam (and I’m focused on the structurally solid part of the fabric to the left of the selvedge threads).

And here’s a zoom and enhance of that Janome MOD-19 sewing machine zipper foot.

A bar comes down from the sewing machine case and has a large screw attaching the foot holder made of gray plastic. There is a notch at the end of the foot holder that's fairly deep, but actually it's the very front of the notch that grabs the little horizontal metal bar in the foot. The needle comes down just a bit in front of that bar, going through a gap in the foot to reach the fabric. Under the foot, the jagged "feed dogs" move the fabric along ready to receive the next stitch.
The gray plastic foot holder is just holding the little metal bar of the zipper foot in its soft gray beak.

Oh my gosh it worked!!

Two rectangles of brown linen are connected by a bright yellow zipper, with floral fabric covering the tails of the zipper at top and bottom. The spacing between the pieces is slightly narrower in the middle part and wider at the bottom, but not by a lot.
My first zipper pouch top is looking pretty decent!

And from the other side…

Flipped over to show the flowery lining side, the wider spacing along the bottom part of the zipper is more obvious, but fortunately no one will ever be looking at this from the bottom of the inside of the bag. Ha!

Okay, so now we split the fabric types again, lining to one side of the zipper, outside to the other. That is “Refold the fabric so the matching sides are together”. And yes, partially open the zipper before the next sewing step.

Below we see layer 1 of the lining side, let’s call it “bag lining left” as we imagine looking at the finished bag edge on with the zipper at the top. “Bag lining left” will have its wrong side to the wrong side of the outside fabric of the bag.

A good view of the big bold flowers of the lining fabric at this step of arranging everything neatly to be pinned and sewn together.
Layer 1

Then we add layers 2 and 3, the divider.

You can see here I was lucky with my cutting (and the fabric design) to be able to beautifully match the flower pattern of the pen pocket so that it flows right into the pattern on the divider layer below it.
Layer 3, with its attached layer 2 under it, everybody’s edges all lined up.

And finally layer 4, a.k.a. “bag lining right”. Pin all four layers together, being careful to keep the pen pocket smooth.

Line up the outside fabric and pin it too.

The reverse of this fabric is more muted, but it's still pretty bold and exuberant. The sedate brown linen is a good visual rest from the stimulation of the flowers.
Here we see two white pins marking the correct location of the gap to leave in your stitching.

And this is where I goofed up. Because Life Sew Savory had put two versions of the bag in the pictures at the top of the page and reversed the fabrics between them, I kept getting muddled in her pictures between what was the interior (hot pink, it turns out) and what was the exterior (stripey green). So I thought I had the gap marked wrong and flipped it over to the exterior. *sad trombone*

ALWAYS PAUSE AND THINK THROUGH WHAT WILL HAPPEN IN THE NEXT STEPS AFTER YOU SEW THIS ONE, ESPECIALLY WHEN YOU’RE FIGURING OUT WHERE YOU’RE GOING TO LEAVE THAT LESS ATTRACTIVE PART WHERE YOU TURNED SOMETHING RIGHT SIDE OUT AFTER STITCHING.

I did correctly turn the zipper end flaps down toward the lining side at least.

The zipper end cover sticks out to the side of the lining piece. It is folded down in this step so that its near end is stitched to the lining edges. The far edge, sticking out, will fold down into the bag when the outside is turned right side out around the lining portions.
The little 2″ squares that were used to hide the ends of the zipper pulls leave flaps that stick out on the sides. If it was a stiff fabric I would have trimmed it, but this stuff is so light it only adds a tiny bit of structure to the bag as it tucks into the body here.

Well, I turned it right side out and looked at that gap in the exterior and thought about seam ripping all the way around and if it was a fancy thing and not my rather imperfect first try at a zipper pouch, I might have. But then I thought, “Eh, C’Anna won’t mind and I’ve been wanting to try out decorative stitches on this machine anyhow…”

A simple brown linen rectangle with a stripe of bright yellow-gold zipper at the top and coordinating stitching across the bottom edge in a pattern of arrowheads pointing up.

One part of the bottom edge sticks down a little below the decorative stitching.
Good enough! And that orange on brown stitching looks really nice.
The flip side; the part that sticks out, where the gap was, looks a bit messier on this side, but it's okay.
Flip side. Yeah, oh well. Could be better and the next one will be!

Given how plain the fabric is—in a nice Shaker simple sense—even when I do this pattern correctly in future, I’d be tempted to add a decorative stitch to the outside fabric pieces before putting it together.

But the inside is a great success:

Looking into the bag from the top, the two sides of the interior compartment, with their soft, cheerful flowered lining are inviting to the eye and pleasant to the hand. The color of the zipper brings out the color of the matching flowers (one third of which are that same golden yellow).
Two sections!
Looking inside, at the foot end of the zipper, is the hidden pen pocket.
And a pen pocket!

Okay, C’Anna, it’s going into the mail to you Monday! 🙂

Sewing!

Hooray! I’m blogging again—at last the huge work of migrating over 8,000 posts on this blog plus all the associated media from Typepad to WordPress.com is complete. (Big thanks to the fabulous concierge team at WordPress.com for all their friendly and highly competent help!) It’s so exciting to be revitalizing MetaGrrrl.com and the first thing I want to write about is something that has been revitalizing me over the last year and a half.

Advisory: this post is huuuge because I’m catching up on all my projects, with instructions in some cases. In future I’ll do separate posts per project.

In June 2017 I did the Basic Sewing safety and machine basics session so I could use the sewing machines at TechShop, the makerspace here in San Francisco (now known as TheShop.build). During the class (which turned out to be a 1-on-1) my instructor taught me to make a clever little flip-top bag.

Janome New Home sewing machine on a bright red table next to Dinah's TechShop badge.
Sewing machine at TechShop.
A simple rectangular bag with one end folding over to form a closure. It is made of red cotton fabric with small, irregular, white dots and has a friendly, casual feel.
It’s a bit longer than a sunglasses case, and wider.
The same bag turned inside out, revealing the seam stitching.
It’s a little easier to understand how it is made when turned inside out.

It’s just a long strip of fabric (4x the finished length plus an inch of seam allowance) which has been sewn right sides together to make a loop.

Next the loop is flattened out with wrong sides together and the loop seam positioned as the back of the inside top edge of the bag—underneath at right edge in picture above—where it is least likely to be worn out by things stored inside the bag later.

Last, you fold the “lid” down, overlap it with the front body of the bag, and stitch down along each side. Lastly, turn it right side out.
The top of the bag held open to show how the part that folds over is arranged for stitching.
Here’s the detail of how to arrange what will be the top of the bag when you stitch the side seams. The “lid” is folded down first, with the front of the bag overlapping it just a little. When you turn the whole thing right side out, it makes the top closure work even without a fastener. (Not secure enough to keep things in if you shake the bag, but good enough to be put in a purse or backpack without disaster.)

I went back the next day and did more sewing, but I didn’t take notes (or haven’t unearthed them yet). I tweeted something the next day saying that I worked on two projects, but which? Probably it was this sewing tools caddy, which is super handy:

A flat board with three tiers of pockets across the front. The pockets contain a variety of sewing tools.
I didn’t have all these things at first (though the machine needles envelope was from my Basic Sewing class at TechShop) and I already had the fabric scissors and the two cases of hand needles. I’ve added bit by bit as I went along and am very pleased with how this caddy has accommodated my needs from the expected (a seam ripper and tailor’s chalk) to the unplanned (like the fashion curve ruler and the pinking shears).

(I figured out how to make it just looking at pictures and playing around with paper a little, but there are patterns available such as this one and this one. It’s basically a big flat bag with three folded over flaps of different heights sewn into the base and side seams as you make it. It gets its stiffness from cardboard slid down inside the big flat bag part. I could add on a little strap to keep it from relaxing completely flat if not leaned up against something, but so far I always have it at the side of my worktable with supportive things behind it.)

and that day I definitely worked on this Triplet Tote (made from a great online tutorial by The DIY Dreamer), because I have a picture of cutting it out.

A fairly flat blue bag with soft straps and bits of green peeking out at the sides of the bag.
You can see both my ability to carefully measure and mark out the pieces for cutting, and the quality of the fabric scissors at TechShop left something to be desired.

I recommend adding interfacing inside the handles and making them a bit longer. They squish up a bit over time, as you can see, and you want to be sure they’re long enough to sling the bag over your shoulder, even if it’s not your default way of carrying it; you’re going to need to juggle it, something else you’re carrying, and a set of keys at some point.
Dinah's fingers separate the top parts of the bag to show the three (fairly flat) compartments, the center in the same fabric as the exterior of the bag and the other two in the "lining" fabric.
Three compartments! Great for putting your tablet in the middle, or reserving that for your “live in the bag” items while switching out the side pockets for today’s book, that mail to go in the postbox, etc.
Traditional subtle arrow-patterned Japanese fabric in off-white on dark blue. The fuzzier, bright moss greeny-yellow lining fabric shows at the side.
Detail of the fabric pattern. Loved it on sight! It’s not as black as it appears here, the photos above are more accurate.

I must have gone to Britex Fabrics beforehand and raided the remnants bin, because that’s where I got that fabulous African-print wax fabric for the sewing caddy and the lovely Japanese fabric that is the blue part of the tote. (I hadn’t learned yet to wash fabric before sewing.)

A table with a cutting board on top of it holding unironed blue fabric with an intricate pattern like arrow feathering. The edges of the fabric are held flat with little pink sandbags and there is a pair of scissors beside the fabric.
About to measure, mark, and cut for the triplet tote. I also hadn’t yet learned to properly iron fabric before cutting.

Doing creative projects was a huge emotional release for me after all the heavy work through the latter half of 2016 and the first half of 2017 as executor of my biodad’s estate and volunteer with MoveOn Text Team. I wasn’t feeling able to do much in the way of creative writing, so being able to exercise my creativity and see a project to completion was an enormous lift.

Janome New Home sewing machine on a bright red table next to a small red bag with white dots and some bright green and yellow African print fabric.
TechShop sewing machine with a completed project and the fabric for future projects beside it.

Around age 19 I knew how to sew well enough to make myself a complete set of Elizabethan clothes for working at the Northern California Renaissance Faire, but all those skills had pretty much evaporated. Given how much more patient I am now, it is for the best that I am beginning again from scratch and learning to do things right.

In June and July 2017, I visited SCRAP, a fantastic scavenger paradise of materials for projects. In their fabric area, I found a cool embroidered table runner along with some other remnants. This turned into my next project, another tote bag, this time with an interior pocket and a very pretty strap made out of a necktie off the racks at some discount store like Marshall’s or Ross Dress-for-Less. I think the table runner cost something ridiculously great like $1 while the tie may have been $10, but it was still a good deal for the nice bag that resulted.

A flat, green fabric bag with a handle made from a flowery Hawaiian print necktie.
Table runner folded over “wrong sides” together, stitched up the sides, and then turned right side out to make a very simple flat bag. Flap and strap added separately.
The same bag flipped over to show how the flap was a separate piece stitched on afterwards. Some decorative embroidery from the table runner it was made from shows here.
The flap as a separate piece. And the embroidery of the table runner.
Dinah's hand holding open the bag to show the interior pocket and soft lining, and where the tie ends are stitched in to secure them as the bag straps.
Ah, right! As I look at this I remember I did something sneaky with how I made the lining, but I’ve forgotten the details. It was a tricky puzzle for a new sewer, though. The pocket is at an angle on purpose, to make it easier to access when wearing the bag. At least I think that was on purpose. The tie-as-bag-strap thing worked amazingly well and the bag is holding up great. Joe used it a week ago to carry an iPad for doing crossword puzzles together at brunch.

Not sure now (in January of 2019) when I began the work on turning a cool locally-made bag with cork ends which had worn out into a new tote, but it might have been the same day I made the table runner tote bag.

A project in progress: The bag portion is partially stitched together and sits on a table with the cork top (with straps) and footer above and below it, and a button for looping a fastener beside it, waiting to be sewn on.
A bit funny that the lining and exterior of the cork-detailed bag wore out before the cork parts. It was a prototype(which Joe bought something like eight years ago at a little SF shop called Peasants and Travelers, out of business as of the last few years alas), so I bet they changed materials.

I trimmed off the fabric which had begun to shred itself. The plan is to do another triplet tote. The body is mostly ready, I just need to figure out how to attach the cork pieces both securely and attractively.
The material is folded back to reveal the whimsical fabric inside with little drawings of Mt. Fuji, a whale, a torii gate, passport stamps, etc. on a gridded background like white graph paper.
The exterior is very understated, but great bags often have surprises inside. When I saw this Japanese travel-and-graph-paper-themed fabric at Britex I knew it would be a source of future delight. I think my skills have just about improved enough to finish this pending project.

My need for stress relief grew, while, unfortunately, my energy to get out of the house or do projects reduced. Like a lot of folks, 2016, 2017, and 2018 were pretty rough for me.

On August 4, 2017, I received a diagnosis of the mouth form of an autoimmune disorder, followed by diagnosis of the skin form in January 2018. Dealing with that medical stuff ate up most of my non health and wellness project energy, though in fall of 2017 I did do a massive change to our backroom, where our desks and potential guest space are. I added eight Ikea Besta cabinet columns on two walls, with a two part work table extending from one of them. That was the foundation for the lovely sewing project area I have now.

No sewing, but thinking about sewing… On June 16, 2018, I got various soft knits and other fabric remnants for about 2/3rds their regular price: 1 5/8 yards taupe cotton, 1 3/8 yards white bamboo/lycra, and something else from the bin, plus from the new bolts 1 yard of another cotton knit for $8.99. Looking back from January 2019 I was perhaps over-hasty in getting knits without knowing how to sew knits yet, but at least I was thinking about sewing and how I might be able to make more comfortable clothes for myself. I will be using these soon.

In mid November 2018 I bought myself a sewing machine; a Janome MOD-19, but didn’t unbox it until the start of December. I eyed the box all around Thanksgiving-time with anticipation tho’. 🙂

A friendly looking white sewing machine with some decorative geometric patterns on the body near the dials

(This machine was the recommendation from Wirecutter in their “The Best Sewing Machine for Beginners” article, which pick I agreed with after some additional research.)

I also bought a used copy of the (alas out of print) book Sew Everything Workshop: The Complete Step-by-Step Beginner’s Guide by Diana Rupp. It’s a great intro and useful even if you find one where the paper patterns in the envelope in the back are missing.

My first project as the machine and I got acquainted December 2, 2018, was a pincushion. I made it out of a leftover end piece of that table runner I got at SCRAP. 🙂

A tiny pillow-like pincushion with a variety of pins and needles sticking out of it.
It’s a pretty stiff fabric, but I expect with use it will soften up and the sturdiness will be good in the long run.
The same little pillow pincushion tilted up to show it has some embroidery from the table runner it was made from on the underside of it.
Embroidery from the table runner source of the fabric.
The same pillow pincushion tilted the other way to show the inexpert hand stitches in white thread where it was closed up after being turned right side out and filled with stuffing.
Not exactly elegant hand-stitching and I didn’t have the right thread color, but I made a thing I still use all the time!

I also finished up the open end of the back support of the sewing caddy I’d made back in 2017.

On December 13, 2018, I had the pleasure of another trip to Britex, this time with a shopping list derived from my readings in Sew Everything Workshop.

A shopping list divided into sections "Thread & Notions" and "Fabric" with detailed notes.
The recommendation for Coats & Clark or Gutermann thread came from Diana Rupp’s book and I’ve since seen the same recommendation from others. I stocked up on some basics—bias tape, interfacing—so I’d have a better chance of being able to dive into future projects without having to make a shopping trip.

When I bought the oilcloth for the sewing machine cover, I asked if I’d need a special foot for the sewing machine and she said no (and turned out to be right). I skipped getting the velcro because I realized I wasn’t sure I was going to immediately make walker bags (which I’d picked as a good practice project I could then donate to the senior center a block away).

Because I haven’t gotten the filling for it (the dust-free kitty litter), I haven’t made the draft dodger yet. Nor have I worked on pillows, but I did steal fabric from that for making part of a toy for my nephew.

This is when many of the items seen above in the sewing caddy picture were purchased. I also got a bunch of fabric, some with a plan and some remnants with only the vaguest plan, and four cool graphite-colored rectangle buckles for attaching the straps of a bag. Along with a dust-resisting solution for my sewing machine cover project, I got two charcoal gray fabrics with intent to use them for a new laptop bag, (the shinier, silkier one for the lining). I also got a bright orange flannel intending to use it to pair with a bright print I found in the remnant bin to make a microwaveable heat pad for a relative (but over the holidays, after not doing the project in time for gifting, found out they already had a couple of them so I ditched that plan).

The next project was a better illustration of why I got the machine. I began reclaiming my comfort in clothing by converting a pair of “yoga pants” which have a waistband I can tolerate* but which make me feel dorky into something I’d happily wear through an airport. (*I have a rare autoimmune disorder which makes my torso very sensitive to the pressure of elastic bands and other tight constrictions.)

TSA Pants

Waistband is great—wide and soft—and they have pockets…

The top of a pair of pants made of very soft, stretch fabric in charcoal grey.

… but the cuffs are gathered into a narrow band which insists on settling about three inches above my anklebone. Not elegant. The cuffs must go!

Two legs of a pair of pants of soft knit fabric, one cuffed, one with a ragged edge where the cuff has been removed.

Fortunately, I have a seam ripper. 🙂

My pincushion sits beside a large piece of shiny charcoal gray fabric held down with little faux stone blocks. A rectangular paper pattern sits atop the fabric.
Dwarven Forge miniature terrain elevation blocks make great fabric weights.

More skill practice: I made a paper pattern and used it to cut out the new cuff pieces.

I added a band of the shiny graphite-gray fabric (originally planned for a new laptop bag) which makes them just a little dressier, while actually also making them more comfortable. Slept in this on a red-eye flight in a lay-down seat and they were great. Success!

The same pants with shiny cuffs in a matching gray color. One of them is a little uneven along its bottom edge.

It took me hours to do this very simple project and there are definitely errors, but I learned so much! Very proud of myself for letting go of perfectionism and for making something I really needed.

The other side of the pants showing the unevenness from the other side and a bit of unintended gathering at the join between the leg and the cuff.

I followed this guide to lengthening pants. In the course of this project I learned these new (or completely forgotten) skills:

  • “Stitch the ditch”
  • Pressing as guidelines for later pinning and stitching.

And re-acquired these skills:

  • Making a paper pattern piece
  • Taking something from idea to plan to measured to pattern pieced to cut to pressed to completely sewn in one session (with a dinner break).
  • Going slower when it gets challenging

My “oops” moments included not cutting TWO fabric pieces for the cuff as I have TWO legs and letting the combo of knit fabric and slippery silky synthetic take over when I was going too fast stitching the ditch on the first leg and having to seam rip about 3 inches. (If it was a fancier garment and higher than the ankle it would have been necessary to seam rip the whole piece as it is a bit twisted compared to the other. I may re-do with a longer, better sewn cuff at some point.)

Still, not bad for sewing knit and slippery fabric when I don’t know how to work with either!

That was a luxurious day of getting to work on my own projects, so I also began making a sewing machine cover, following the instructions in Sew Everything Workshop. It was another success and another source of learning.

A sewing machine under a cover with a pattern of cute cartoon foxes.
Isn’t that oilcloth fabric fabulous? How could you not want to go play with a machine under a cover like that? The pattern is “Fabulous Foxes” by Andie Hanna, part of the Robert Kaufman Collection. I got it at Britex in San Francisco.

This one went together very well. I slowed down. 😀

Still need to learn how to wrap bias tape for a more finished look around openings. I cut separate pieces and stitched them down and the gaps show.

It came together in three stages on different days:

  • Marking it up to cut using tailor’s chalk directly on the wipeable side of the fabric, cutting the pieces, creating and finishing the handle opening, and then assembling the body pieces onto the top.
  • Cutting the cord slot and pinning the bottom seam. (Double folded seam style, folded over and then over again, so when you stitch you leave a clean edge on the interior.)
  • Sewing round to finish the bottom edge (which I did on January 8, 2019, after the bustle of the holidays and travel).

Making this was so fun, I want to work more with BPA-free PUL (polyurethane laminate) fabrics. I had no problems with the sewing machine feeding this even though I wasn’t using a special foot, I guess because I was going slow. I’ve got a bit left so I’m thinking of making some little zippered pouches.

I was definitely hooked at this point. Went back to Britex on December 20, 2018, where I bought an “ironing ham” (used for ironing curved things like sleeve cuffs), zippers I could use for making pouches of various sorts, cotton cording for lacing for other small projects, polyester fiberfill, and more remnants. (I looked at thin, cheap quilt batting, but then didn’t find the kind I needed so I skipped it.)

We traveled to London over the holiday time and I made a special trip to Shaukat Fabrics, which I knew from Erin McKean’s Dress A Day blog (which I’ve been re-reading) as a great source of less expensive Liberty fabrics.

Stacks and stacks of Liberty fabric. This section is labeled "Liberty Poplin £18 per meter".
So much lovely fabric…
One shopping bag of loot in hand, a dazed Dinah emerges to the sidewalk.

I bought 5 meters of a Liberty cotton poplin and 3 meters of a Liberty lawn I plan to use for garments for me once my skills permit me working with something that’s £18 a meter. I also bought 28 remnant pieces (mostly about 8-10″ strips around 45-55″ wide), about a third of which were gifts for my mother. For a few I found two pieces. These are all amazing fabrics and will be really fun to use, even in small amounts.

Intricately patterned fabric in a variety of styles, from subtle earthtones to splashy pinks, many of them with motifs of flowers and foliage.
These intricate patterns make me very excited about sewing!

On January 8, 2019, it was a pure joy to have things so well set up that I could just turn on the lights and the machine and start sewing when the mood struck. This is when I finished the sewing machine cover. Only took about half an hour. I turned off the machine, covered it up, turned off the worklights, and went on with my day. Glorious!

My next projects were organizing my sewing materials and making a toy for my nephew Charlie, beg pardon, Space Commander Charles G.

An orange flannel space rocket with curved brown twill fins standing up on its flat base (and kept vertical by the even spacing of the fins)
I used this pattern from sewgrown.blogspot.com. Their pattern includes flames that tuck into the bottom and can be extended on blast off, but I left those out for safety since Charlie has a very little brother.

The tricky bit for me with this one was cutting the pieces of the fins since the fabric for those had a distinct right and wrong side. I had to recut one piece, but fortunately it was small and didn’t waste much. (This fabric was originally going to be used in repairing the pillowcases in our front window, but I know I can get more and it was ideal for a sturdy section of a toy like this.
I also wasn’t paying enough attention to lining up the direction of the diagonal pattern of the right side of the twill while I was cutting these, but fortunately 2-year-olds aren’t too fussy. 😀

One tip when using poly fiberfill: stretch out a glob of it a little to make a flat pad rather than a lump and place that flat against the sides, then when you’re jamming into the center at the last to finish filling it up entirely full, the flat pads keep lumps from forming on the exterior. This of course will also make the rocket more aerodynamic and require less fuel.

Along with having a good sewing day, I ordered some pieces from Ikea (storage boxes for fabric, an organizer for notions, extra shelves to make the cupboards work better) and threw in two cheap duvet covers that were on sale at a price making them a great price for printed cotton fabric. One of those is a fun fabric I’ll be using for my first clothing project (see below). Ironically, the fabric storage boxes have been lost by FedEx twice between Ikea and my house, but the rest is turning out fine.

On January 18, 2018, I gave myself the treat of a visit to a new-to-me fabric store, Fabric Outlet, on Mission Street. Very friendly staff and I was such a happy Dinah puttering around and finding things. I got fabric and buttons for a present I’m planning to make (shhh, for now), fabric and twill ribbon to make myself a new apron that’s proportioned correctly for me (no more apron-side-boob!), a flamingo pink satin remnant that will be perfect for the belt for my next project (below), some linen and twill that may work to make coasters, fusible interfacing (a proper, non-remnant sized piece this time), thin batting, and a few interesting remnants.

On January 20, 2018, I began thinking through a more complex project, my first complete pieces of clothing: a set of lounge pants and a matching kimono jacket for an upcoming trip to very warm weather. (I’m sure these will also come in handy this summer, whenever we get one. It was never entirely predictable in San Francisco even before climate change.)

A pair of soft, loose lounge pants lies beside an open notebook with a pen laid by from making notes. Next to it is a piece of green craft paper with the edges folded over like a seam allowance.
Thinking through how to add a soft, fold over waistband and using a piece of craft paper to work through my ideas.

I washed the fabric, and while that was going I figured out the best of my current pairs of lounge pants to use as the basis for a pattern.

(Yes, these are pretty fabulous pants—best of all I bought these tropical wonders at Marks & Spencers in Yorkshire!—but the elastic top isn’t comfortable for me these days.)

Figuring out how to get this three dimensional object to lay flat enough to be captured in two was a real test of my wits and patience, but, taking breaks when I needed, I did succeed eventually. I marked and cut all the pattern pieces and will take a photo of those when I write up the sewing part of this project in a future blog post.

A quick and rather silly project was my diversion on January 22, 2019, when we had to cancel our usual D&D game and I had bonus time. I used a faaabulous girl’s t-shirt I found on clearance to make a pool tote.

White t-shirt with a pair of pink unicorns with gold horns under fluffy blue clouds.
Why don’t they make more stuff like this in adult sizes?
This was one of those shirts where the back fabric is a bit longer than the front. I used this to my advantage to create the base of the bag.
With the shirt inside-out, I lined it all up so that the shirt was smooth and the back was flat.
Then I folded the longer part of the back over the front, and pinned it.

After I stitched across to secure this bottom seam of the bag, using a flamingo pink thread to match the unicorns and removing pins as I sewed of course, I had to do two separate small bits of pinning at each side to close up the gaps of the shirt vents. (I sometimes bring a pen and notebook to beach or pool and don’t want the pen escaping through a little hole in the bottom of my bag.)
Then I cut off the sleeves, being careful to leave the seam that had attached them to the body of the shirt intact. This will add body and stability to the straps.
Next I used tailor’s chalk and an oval dish of the right size to mark where I’d extend the neck opening to create the other side of the straps. The goal is to use as much of the shirt’s shoulder strap as possible width-wise and to bring the opening down parallel with the armpit of the shirt. (If I hadn’t had the ideal oval dish, I would have used my curved fashion ruler.)

Cut out on the oval, pinning if necessary to keep the cut even on the two layers.
Do a double fold seam around the rough edges of the former armholes and neckhole. Go very very slow, probably hand-turning the needle, as you pass over the thickness of the seam at the top.
If this were anything but a cheap, loosey-goosey, rather silly pool tote, I would have pinned it, but for this I just folded the double fold as went along (playing the part of a double fold machine foot, I guess).
Despite being very slapdash, it turned out dandy. I look forward to laughter and envy on vacation with friends.

I’m still working hard on learning the basics. Figuring out what the different kinds of seams are (plus using more professional-looking techniques for the one I’ve been using most, the double fold hem).

And I’m really happy!

Dinah, wearing overalls and smiling in front of her sewing machine as she works on the fins for Charlie's space rocket.

a couple pictures for the public domain

These are from the slides I inherited from my great-grandparents, Reed Walker Sr. and Adena Zippora Nordberg Walker, of Beverly Hills, CA.

Reed was the main photographer in their artistic pairing (Adena painted and did fine ceramics), so I'm guessing these are both shot by him. To my eye the Fox Hills Country Club sign looks later than his death in July 1940, but so often a color picture deceives me and reminds me how aesthetically blurry the late 1930s are with the early 1950s.

As the owner of these two images I have released them to the public domain and release all my rights to these two images (effective with my upload of them to Wikimedia in December 2017).

 

Photograph of Fox Hills Country Club sign from the slide collection of Reed and Adena Walker of Beverly Hills (my great-grandparents). At the time of the photo the changing text on the sign read: OPEN TO PUBLIC LUNCHEON DINNERS ENTERTAINMENT NITELY.

Fox_Hills_Country_Club_sign_in_mid-20th_century

 

Union 76 gas station and oil service with tall sign, on a southern California corner with bus stop and billboard adjoining.

76_gas_station_with_tower_sign_in_Southern_California_circa_1930s

 

So many projects

Living in one place for many years allows unfinished projects to proliferate. Every time you move, there's a chance that something gets completed or discarded, but otherwise they often linger on, awaiting that extra time to work on them which seems perpetually just around the corner.

I've been in my current home for over nine years. And I've been in my virtual homes for longer: thirteen years of hosting on Typepad for this blog and somewhere around as long for Apple laptops which permit me to easily migrate all my files to new machines when I upgrade.

My intention is to carry on longer still in this apartment and operating system (blog hosting is t.b.d.), so it's necessary to routinely evaluate what's built up around the place. That's where Discardia comes in.

I practice Discardia not only during it's four appearances a year, but also on a daily basis. Through repetition I've made it a routine habit to question why things are present in my home and workspace. Often the answer is appreciation, but sometimes it's frustration or disinterest. The latter two become upgrade projects or get discarded (to charity, trash, etc.) And, yes, sometimes the upgrade projects do linger too, but thanks to online ordering and other services (and, checking my privilege, the budget to take advantage of them) it has gotten a lot easier to solve a problem when it presents itself rather than just adding it to a to-do list.

Omnifocus is my tool for tracking all my projects (and complex habits like periodic big picture reviews of my life priorities). As with the physical items in my home and the files on my computer desktop, the projects and tasks I have created in Omnifocus are subject to the same questioning: "Why do I have this? What is it bringing to my life? Is it helping me be who I want to be?" and the same steady adjustment or pruning.

Some people find it overwhelming to have a lot of projects, but by being very clear with myself over which projects are active now and which are not, I avoid beating myself up over not doing it all. Time and energy are finite, and self-care is necessary if you're going to achieve things in the long haul, so I keep short the list of what needs action today. Scratching off the last thing on that list opens up the opportunity to respond to the moment and my mood—and not infrequently that relaxed next action turns out to cross off something on one of those inactive lists.

 

So what's active for me today?

Well, it's the start of the work week (since we were traveling yesterday) and that means laundry. Since we talked our landlord into putting a washer/dryer into our house, laundry days have become fairly pleasant. That rhythm of moving the loads along keeps me moving on the rest of my list as I can play the game of trying to finish things before the next buzzer. Even the time consuming part of folding laundry has been upgraded to a treat as that's when I watch fun stuff on my iPad. (Thanks again to my best friend Lance for cluing me in to the Acorn TV app and their collection of Hercule Poirot and Miss Marple mysteries!)

I've got a writing client now, so most of those between-load work sessions and much longer stretches over the days to come will be spent researching and writing about the history of specific cocktails. Look forward to an announcement later in the week about this project.

The ongoing work of handling my late father's estate continues. Mercifully matters relating to the house are now in the hands of my realtor and her fix-up crew, so I'm no longer schlepping over to the east bay to clean. The focus now is a combination of bureaucracy—most of those hurdles already cleared—and sorting through the last 10 boxes of papers and memorabilia. I'm hopeful that by the end of the month our house will return to a less cluttered state. The chaos has already been reined in to just the room where my home office is located; soon I won't have banker's boxes looming on either side.

As the estate project comes under control, I'm catching up on everything that was dropped during Pop's medical crisis and my handling of his home when he went into the hospital and after he died. Bit by bit, I'm clearing messes, tackling minor to-do's, and consolidating project support items.

Alongside all this is the background hum of life: processing bills and statements, maintaining our home and small container garden, handling our publishing business Sanders & Gratz, prepping for the next D&D session I'll be gamemastering, and chipping away at my long-term projects (many of which involve bringing bits of my online creativity and other memorabilia into this blog at their appropriate past dates).

If time permits, I've got other writing I want to do: first, an election slate for this very important election, and, ongoing, more work on Bibulo.us and on my history book about servants in Elizabethan England.