One of the key lessons for me of the past few years is that it detracts from my wellness to try to have both my list from before the various crises in my life and my list of what I need and want to do now. However much I say, “oh well that old list is on the back burner”, it is still bubbling and using my mental fuel. I can’t have two #1 items, even if I tell myself that one of them is not active for the moment. I gotta recalibrate and bring it together in one calm vision for myself.
The best thing about accepting that is that the process of integrating my expectations of myself is an inherently therapeutic process. Though the enhanced calm is important, most of that benefit is coming from really giving myself permission to drop things. Not just shove them back ‘for right now’ (i.e., years), but let them go. Discardia is good for the soul and for reducing that overwhelmed, inflamed feeling.
The biggest change is re-orienting myself to my writing and other creating. I am refocusing myself on the creative work and away from the idea of producing products on a particular schedule. It doesn’t make anyone less of a Real Writer to give a work the amount of time it needs to come to fruition. Nor is it mandatory to bring out a new book every couple years. The publishing industry would like you to, but I don’t write for a publisher; I write for myself and my readers.
As I’m sure a lot of stay-at-home parents or others who are outside the paycheck economy have struggled with, validity is not measured by take-home pay. Much of our culture sends a different message, so it takes work to find solid footing to appreciate yourself and what you do. In my case finding that footing is helping me recognize a few “to-do” items on my list which were more cargo cult enacting of “being a publisher” than necessary to the process of writing and sharing my work.
One thing that prompted some of this change is that the medication I was prescribed about a year ago limits me to two cocktails a week. I find I really can’t be an active cocktail writer under that constraint and I don’t want my work and my wellness to be in conflict, so I’m giving cocktail writing a big “I love you, man, you’re the best, no I mean it, I love you, all you guys” sloppy hug and going home.
Not writing a sequel to The Art of the Shim: Low-Alcohol Cocktails to Keep You Level lowers the need for a lot of the capital P publisher infrastructure we’d created. Simplifying that part of my life is some of the work I’m doing this month and I’m already enjoying the lightness it is giving me. I don’t have to put out a book this year because it’s been “too long” since the last one. I don’t have to feel guilty over a long list of posts and essays I thought at one time that I’d write. Cool ideas! Okay to let them go!
This exercise in looking at where my time vs. where my mental energy goes vs. my actual current priorities has also unveiled some time sucks that I can prune away. Goodbye, Twitter. It’s not me, it’s you. You make me anxious and distracted and frankly, you have too many nazis and misogynists and racists and homophobes and paranoid dudes who think giving babies free food is gonna take food off their own plate. Ugh. Good riddance to that distraction.
I looked at the carefully curated list of accounts I followed, added a lot of them to the website feed reader built into WordPress.com, let go of the “need” to keep up with some, and made a monthly reminder to check the other two that couldn’t go in the feed reader to see what they’ve been up to. Then I added the Switcheroo Chrome extension to redirect me to my WordPress Dashboard every time I try to go to Twitter.com. It feels fantastic and I am already getting a lot more done with my day.
Yes, I’m on Mastodon, but both it structurally and my decision of the number of people I follow on there are designed to be very quick to keep up with. It doesn’t devour twenty minutes of my time multiple times a day in the way Twitter can.
I’m excited about this paring down and focusing. I’m excited about the space I’ve created for healing and for whatever creative projects I want to do now. I’m grateful to myself for the permission to let go, to be done with things. My shoulders feel lighter.
I’ll be posting more in the coming days as I part with some of these past projects. I hope you enjoy this somewhat random tour through my interests. 😀
I’ve been thinking about economic systems and the huge problems with the way we handle work, employment, pay, and profit in the United States. Another way is possible.
The model of work I am here envisioning recognizes that:
• Sustainable societies are built on sustainable economies which are built on sustainable lives of the workers in them.
• Personal time is the key finite resource, not an abstract like money. (If worker time is treated as the resource of greatest availability, workers are exploited.)
• Extractive capitalism is built on an unrealistic model of eternal growth and payment of ever-growing returns to investors. This is inherently unsustainable as it continually removes value from companies and their workers. Alternatively, worker ownership retains value within the company and among workers, and as a by-product strengthens local economies, which usually helps with long-term company success.
• Investment is still needed to start companies, though, so the initial extractive return on investment must be tapered to allow the company to become sustainable. One possibility: companies start with 52% worker-ownership, 48% investor ownership. Every three years 1% of investor ownership shifts to worker-ownership (dividends shifting to compensation, usually to new workers as the company grows). After 16 years the company is 100% worker-owned.
• Every human deserves dignity in their work and an equal opportunity for time away from work. Early attempts to legislate this fundamental right gave us the weekend and a cap on workday length. The next step is to pry apart compensation from hours labored; we live in a time of great prosperity and there is enough to go around if we divide it equitably. Therefore, this model assumes that the total company amount of compensation to workers is divided evenly among them so that all have at least a livable wage. There are no tiers of pay. All worker-owners benefit from company success or feel the squeeze equally when the business or economy is struggling.
• The minimum time a worker has to spend at work in a given week is the distinguishing difference between workers at different levels. An entry level worker commits 35 hours a week to the company. As they grow in experience and efficiency, this time tapers down. Every two years worked with the company reduces the minimum hours required by 1 hour. Every eighth year this drops an extra hour. Thus, after six years with the company, a worker’s minimum hours are 32. After eight years, they are 30. After sixteen years with the company, a worker only needs to work half-days (or however it makes sense to allocate their 25 hours). After thirty-two years, they’re involved a couple days a week. After forty-eight years, just 5 hours a week. This is enough for their wealth of experience to still benefit the business and for them to still be engaged in public life, but at a level that respects their reduced energy for work at their age. After fifty-six years as a worker, they have no further obligation and pensions kick in.
• Workers moving from one job to another will enter at a time level reflective of their experience with that kind of work AND the age of the new company. For example, a worker who has 20 years experience leaves to join a 10 year old company and instead of working their old minimum of 23 hours a week, they will work a minimum of 29 because the new company is still growing and everyone there works that many hours.
• Workers are incentivized to remain with a company and help it grow because switching to a new, younger company will generally mean committing more hours of time per week and delaying their pension (unless they subsequently switch to a more established company and are able to negotiate recognition of all their experience).
• Workers are incentivized to be more efficient (because they want to work only their minimum hours) and companies are incentivized to right-size their business to match their market (because they want to keep worker compensation good while those workers put in just the minimum hours).
• Some businesses will be more profitable than others as economic factors fluctuate. Their worker-owners will decide how to use those profits, either applying them to the company for improvements or growth, sharing them out to the current worker-owners, or adding new worker-owners to diffuse the compensation across more people (enabling further profit or growth and possibly allowing all worker-owners to commit below minimum weekly hours, thus realizing the benefits of long-term employment sooner).
A common pattern which might emerge under the WOTICETT model is that of workers of medium experience temporarily becoming involved in two companies (or double roles at one company) to increase their resources before dropping back to just one when they become parents or need to be more available for elder care.
For example, Chris started work young and joined a company at age 17. At age 27, with ten years experience and working 29 hours a week, Chris gets invited to participate in a friend’s new company. The first couple years are intense, working 64 hours a week, but then that number begins to drop until at age 37, Chris is working a total of 52 hours a week (23 hours a week at the first company and 29 hours a week at the friend’s company).
Chris’s partner, Devin, is five years younger. Devin helped care for child siblings when young and didn’t join a company until age 22. Now, at age 32, Devin is working 29 hours a week. Thanks to the resources they’ve built up through Chris’s decade of double pay, the couple has enormous flexibility should they decide to have children.
They might choose that Devin will become a full-time parent. In that case, when their kid is ten years old, Chris will be 47 and working 40 hours a week (17 hours a week at one job and 23 at the other), and Devin will be 42 and fully available for parenting and life admin tasks.
Or maybe after all those years of double work, Chris becomes the full-time parent. Then when the kid is ten years old, Chris at age 47 is fully available and Devin at age 42 is working 23 hours a week. They’re living on one income instead of two, but they have a lot of free time to make living cheaper more possible.
Or if they carry on as they had been, when the kid is ten, Chris at age 47 is working 40 hours a week (17 hours a week at one job and 23 at the other), and Devin at age 42 is working 23 hours a week. They still have three incomes and though they still probably need some assistance with childcare, they do have considerable family time.
In those three scenarios, when the kid is twenty, Chris is 57 and Devin is 52, and they’re either:
working 27 hours a week (10 at one job and 17 at the other) and not committed to company work, respectively, and living on two incomes;
not committed to company work and working 17 hours a week, respectively, and living on one income;
working 27 and 17 hours a week, respectively, and living on three incomes.
All of these scenarios—along with the variants in which Chris drops back down to just one job or where one of them returns to work when the kid is 15 or 20 years old—are vastly more appealing than the average options most families are facing today.
They become even more appealing as we roll out the scenarios into later years of life. At ages 67 and 62, Chris and Devin are either:
working 14 hours a week (4 at one job and 10 at the other) and not committed to company work, respectively, and living on two incomes;
not committed to company work and working 10 hours a week, respectively, and living on one income;
working 14 and 10 hours a week, respectively, and living on three incomes.
At ages 73 and 68, they are either:
working 7 hours a week (pensioned at one job and 7 at the other) and not committed to company work, respectively, and living on two incomes (or one income plus whatever level a pension is set at);
not committed to company work and working 7 hours a week, respectively, and living on one income;
working 7 hours a week, each, and living on three incomes (or two incomes plus whatever level a pension is set at).
At ages 83 and 78, they are either:
pensioned from two jobs and not committed to company work, respectively, and living on two incomes (or two times whatever level a pension is set at);
not committed to company work and pensioned, respectively, and living on one income (or whatever level a pension is set at);
pensioned from two jobs and pensioned, respectively, and living on three incomes (or three times whatever level a pension is set at).
That is a healthier life than most have now.
Would a model like this require some major changes from how things currently work? Yes. Is it realistically possible? Absolutely.
The current model has been staggering along for decades with a few exploiters buying IMAX screens for their superyachts (or whatever that decade’s equivalent of gross excess happens to be) while an alarming percentage of people struggle and suffer, working three jobs to be able to pay for childcare.
If we can limp along with this broken system, we can certainly afford a different one which, even if not ideal, lifts millions of people up to vastly better lives.
I wanted to do a quick learning project that would also result in a gift for my mom’s cousin, author C’Anna Bergman-Hill and which would use a fabric she really liked from my remnant finds at Shaukat Fabrics in London.
This was fortunately on my mind last month when I went to Fabric Outlet, so I remembered to bring the remnant and get a matching thread and 9″ zipper. The next step was to decide which fabric to use for the outside of the bag. I wanted something sturdier than the light, almost-chiffon of the remnant to help give the pouch some structure. I hadn’t bought a fabric intentionally for this on that shopping trip, but a brown linen remnant I’d bought then (intending to try making fabric coasters with it) turned out to be perfect. I recommend fabric selection as a lovely “last thing of the day” activity; I went to bed that night feeling happy about the upcoming project.
Because I am kind to my future self, I had already washed both fabrics before putting them in my fabric storage area. Thus when I was ready to get started all I had to do was iron. Being a little nervous that ironing, even on the wrong side, might make the linen shiny, I tried using a piece of muslin between it and the iron as a pressing cloth and that seemed to work fine.
The idea of changing zipper length is a bit daunting, so I chose a pouch design where the pieces are the same length as the zipper tape (the fabric part of the zipper). I used that as the width and then decided on a height based on wanting to be able to fit a little notebook and a short pen pocket inside. I made one paper pattern piece for that and cut out four pieces of the lining (since I wanted to add a divider inside to create two pockets) and two pieces of the outer fabric using it.
Then I cut out two 2″ squares to cover the ends of the zipper and a piece to become the pen pocket.
I gave the pen pocket a lot of extra folded fabric around the bottom where it will experience the most strain.
Next I pinned the two divider pieces wrong sides together, stitched across the top, and flipped them around so I could attach the pen pocket by one edge (on a right side of the divider fabric) by stitching along its righthand side and bottom.
The folded design results in a two compartment pen pocket.
Press the divider piece flat, wrong sides together, as it will be in the finished pouch. Then trim a bit off the bottom to allow clearance for the zipper to be used without constantly snagging on it.
The next step is when I started to feel myself pushing into new territory. I wanted to be sure I didn’t bring the sewing machine needle down on a metal part of the zipper, so I was ever so careful. First I put a pin into one of the little 2″ squares right at the zipper stop, the fabric’s right side is toward the zipper. And stitched as near that as I could without hitting the pin.
Then I folded it back over and stitched it down again, now being able to see and avoid the metal stop. I just put a pin in there to keep the zipper tape ends flat and even and keep the square nicely placed.
The business end is a bit trickier, but here’s how I did it. First, I noticed that there are are stop pieces at that end too, they’re just more subtle.
Use your fingernail against those to figure out where to put your pin holding the tape ends and 2″ square (right side down!) to the zipper tape.
Next it’s time to make the zipper sandwich. Just keep looking at your work, flipping things back, imagining the finished piece, and thinking about right and wrong sides of the fabric.
I found it helpful to spin that around and pin the pieces with the edge I was about to sew facing toward me. It helped me get the pieces lined up evenly.
Lesson for the future: consider the position of the pen pocket in relation to the zipper opening. My concept had been that you’d unzip the bag just a bit and there would be your pen. When I’d pieced it all together and stitched it, I realized I’d put the divider the wrong way round and the pen is all the way at the foot of the zipper. Well, it’s less likely to get lost that way, right? 😀
My first time with the zipper foot was an adventure.
ALWAYS LOOK AT THE PRESSER FOOT BEFORE YOU FIRST REMOVE IT AND THEN IMMEDIATELY TRY PUTTING IT (NOT SOME OTHER NEW FOOT) BACK ON.
I did not do that and so, having pulled off the presser foot with much more ease than I expected, I tried sticking on the zipper foot and was totally confounded. First I tried locking in the wrong end of the foot, then the wrong part of the right end of the foot (it’s the wee bar you’re locking onto it not any of the part of the foot behind that). I went back and forth with the manual, my fingers getting sore and nearly in tears afraid I’d break my machine pushing too hard. It turns out the Janome MOD-19 feet don’t so much “lock in” as “kinda softly sorta snap and you’re hardly sure you’ve actually attached it”. Sigh. Thank goodness for YouTube videos and extrapolation from other machines to my poorly documented model.
To help, here is a nice big picture of sewing with a zipper foot on the Janome MOD-19 sewing machine.
And here’s a zoom and enhance of that Janome MOD-19 sewing machine zipper foot.
Oh my gosh it worked!!
And from the other side…
Okay, so now we split the fabric types again, lining to one side of the zipper, outside to the other. That is “Refold the fabric so the matching sides are together”. And yes, partially open the zipper before the next sewing step.
Below we see layer 1 of the lining side, let’s call it “bag lining left” as we imagine looking at the finished bag edge on with the zipper at the top. “Bag lining left” will have its wrong side to the wrong side of the outside fabric of the bag.
Then we add layers 2 and 3, the divider.
And finally layer 4, a.k.a. “bag lining right”. Pin all four layers together, being careful to keep the pen pocket smooth.
Line up the outside fabric and pin it too.
And this is where I goofed up. Because Life Sew Savory had put two versions of the bag in the pictures at the top of the page and reversed the fabrics between them, I kept getting muddled in her pictures between what was the interior (hot pink, it turns out) and what was the exterior (stripey green). So I thought I had the gap marked wrong and flipped it over to the exterior. *sad trombone*
ALWAYS PAUSE AND THINK THROUGH WHAT WILL HAPPEN IN THE NEXT STEPS AFTER YOU SEW THIS ONE, ESPECIALLY WHEN YOU’RE FIGURING OUT WHERE YOU’RE GOING TO LEAVE THAT LESS ATTRACTIVE PART WHERE YOU TURNED SOMETHING RIGHT SIDE OUT AFTER STITCHING.
I did correctly turn the zipper end flaps down toward the lining side at least.
Well, I turned it right side out and looked at that gap in the exterior and thought about seam ripping all the way around and if it was a fancy thing and not my rather imperfect first try at a zipper pouch, I might have. But then I thought, “Eh, C’Anna won’t mind and I’ve been wanting to try out decorative stitches on this machine anyhow…”
But the inside is a great success:
Okay, C’Anna, it’s going into the mail to you Monday! 🙂
Hooray! I’m blogging again—at last the huge work of migrating over 8,000 posts on this blog plus all the associated media from Typepad to WordPress.com is complete. (Big thanks to the fabulous concierge team at WordPress.com for all their friendly and highly competent help!) It’s so exciting to be revitalizing MetaGrrrl.com and the first thing I want to write about is something that has been revitalizing me over the last year and a half.
Advisory: this post is huuuge because I’m catching up on all my projects, with instructions in some cases. In future I’ll do separate posts per project.
In June 2017 I did the Basic Sewing safety and machine basics session so I could use the sewing machines at TechShop, the makerspace here in San Francisco (now known as TheShop.build). During the class (which turned out to be a 1-on-1) my instructor taught me to make a clever little flip-top bag.
I went back the next day and did more sewing, but I didn’t take notes (or haven’t unearthed them yet). I tweeted something the next day saying that I worked on two projects, but which? Probably it was this sewing tools caddy, which is super handy:
I must have gone to Britex Fabrics beforehand and raided the remnants bin, because that’s where I got that fabulous African-print wax fabric for the sewing caddy and the lovely Japanese fabric that is the blue part of the tote. (I hadn’t learned yet to wash fabric before sewing.)
Doing creative projects was a huge emotional release for me after all the heavy work through the latter half of 2016 and the first half of 2017 as executor of my biodad’s estate and volunteer with MoveOn Text Team. I wasn’t feeling able to do much in the way of creative writing, so being able to exercise my creativity and see a project to completion was an enormous lift.
Around age 19 I knew how to sew well enough to make myself a complete set of Elizabethan clothes for working at the Northern California Renaissance Faire, but all those skills had pretty much evaporated. Given how much more patient I am now, it is for the best that I am beginning again from scratch and learning to do things right.
In June and July 2017, I visited SCRAP, a fantastic scavenger paradise of materials for projects. In their fabric area, I found a cool embroidered table runner along with some other remnants. This turned into my next project, another tote bag, this time with an interior pocket and a very pretty strap made out of a necktie off the racks at some discount store like Marshall’s or Ross Dress-for-Less. I think the table runner cost something ridiculously great like $1 while the tie may have been $10, but it was still a good deal for the nice bag that resulted.
Not sure now (in January of 2019) when I began the work on turning a cool locally-made bag with cork ends which had worn out into a new tote, but it might have been the same day I made the table runner tote bag.
My need for stress relief grew, while, unfortunately, my energy to get out of the house or do projects reduced. Like a lot of folks, 2016, 2017, and 2018 were pretty rough for me.
On August 4, 2017, I received a diagnosis of the mouth form of an autoimmune disorder, followed by diagnosis of the skin form in January 2018. Dealing with that medical stuff ate up most of my non health and wellness project energy, though in fall of 2017 I did do a massive change to our backroom, where our desks and potential guest space are. I added eight Ikea Besta cabinet columns on two walls, with a two part work table extending from one of them. That was the foundation for the lovely sewing project area I have now.
No sewing, but thinking about sewing… On June 16, 2018, I got various soft knits and other fabric remnants for about 2/3rds their regular price: 1 5/8 yards taupe cotton, 1 3/8 yards white bamboo/lycra, and something else from the bin, plus from the new bolts 1 yard of another cotton knit for $8.99. Looking back from January 2019 I was perhaps over-hasty in getting knits without knowing how to sew knits yet, but at least I was thinking about sewing and how I might be able to make more comfortable clothes for myself. I will be using these soon.
In mid November 2018 I bought myself a sewing machine; a Janome MOD-19, but didn’t unbox it until the start of December. I eyed the box all around Thanksgiving-time with anticipation tho’. 🙂
My first project as the machine and I got acquainted December 2, 2018, was a pincushion. I made it out of a leftover end piece of that table runner I got at SCRAP. 🙂
I also finished up the open end of the back support of the sewing caddy I’d made back in 2017.
On December 13, 2018, I had the pleasure of another trip to Britex, this time with a shopping list derived from my readings in Sew Everything Workshop.
This is when many of the items seen above in the sewing caddy picture were purchased. I also got a bunch of fabric, some with a plan and some remnants with only the vaguest plan, and four cool graphite-colored rectangle buckles for attaching the straps of a bag. Along with a dust-resisting solution for my sewing machine cover project, I got two charcoal gray fabrics with intent to use them for a new laptop bag, (the shinier, silkier one for the lining). I also got a bright orange flannel intending to use it to pair with a bright print I found in the remnant bin to make a microwaveable heat pad for a relative (but over the holidays, after not doing the project in time for gifting, found out they already had a couple of them so I ditched that plan).
The next project was a better illustration of why I got the machine. I began reclaiming my comfort in clothing by converting a pair of “yoga pants” which have a waistband I can tolerate* but which make me feel dorky into something I’d happily wear through an airport. (*I have a rare autoimmune disorder which makes my torso very sensitive to the pressure of elastic bands and other tight constrictions.)
Waistband is great—wide and soft—and they have pockets…
… but the cuffs are gathered into a narrow band which insists on settling about three inches above my anklebone. Not elegant. The cuffs must go!
Fortunately, I have a seam ripper. 🙂
More skill practice: I made a paper pattern and used it to cut out the new cuff pieces.
I added a band of the shiny graphite-gray fabric (originally planned for a new laptop bag) which makes them just a little dressier, while actually also making them more comfortable. Slept in this on a red-eye flight in a lay-down seat and they were great. Success!
It took me hours to do this very simple project and there are definitely errors, but I learned so much! Very proud of myself for letting go of perfectionism and for making something I really needed.
Pressing as guidelines for later pinning and stitching.
And re-acquired these skills:
Making a paper pattern piece
Taking something from idea to plan to measured to pattern pieced to cut to pressed to completely sewn in one session (with a dinner break).
Going slower when it gets challenging
My “oops” moments included not cutting TWO fabric pieces for the cuff as I have TWO legs and letting the combo of knit fabric and slippery silky synthetic take over when I was going too fast stitching the ditch on the first leg and having to seam rip about 3 inches. (If it was a fancier garment and higher than the ankle it would have been necessary to seam rip the whole piece as it is a bit twisted compared to the other. I may re-do with a longer, better sewn cuff at some point.)
Still, not bad for sewing knit and slippery fabric when I don’t know how to work with either!
That was a luxurious day of getting to work on my own projects, so I also began making a sewing machine cover, following the instructions in Sew Everything Workshop. It was another success and another source of learning.
This one went together very well. I slowed down. 😀
Still need to learn how to wrap bias tape for a more finished look around openings. I cut separate pieces and stitched them down and the gaps show.
It came together in three stages on different days:
Marking it up to cut using tailor’s chalk directly on the wipeable side of the fabric, cutting the pieces, creating and finishing the handle opening, and then assembling the body pieces onto the top.
Cutting the cord slot and pinning the bottom seam. (Double folded seam style, folded over and then over again, so when you stitch you leave a clean edge on the interior.)
Sewing round to finish the bottom edge (which I did on January 8, 2019, after the bustle of the holidays and travel).
Making this was so fun, I want to work more with BPA-free PUL (polyurethane laminate) fabrics. I had no problems with the sewing machine feeding this even though I wasn’t using a special foot, I guess because I was going slow. I’ve got a bit left so I’m thinking of making some little zippered pouches.
I was definitely hooked at this point. Went back to Britex on December 20, 2018, where I bought an “ironing ham” (used for ironing curved things like sleeve cuffs), zippers I could use for making pouches of various sorts, cotton cording for lacing for other small projects, polyester fiberfill, and more remnants. (I looked at thin, cheap quilt batting, but then didn’t find the kind I needed so I skipped it.)
I bought 5 meters of a Liberty cotton poplin and 3 meters of a Liberty lawn I plan to use for garments for me once my skills permit me working with something that’s £18 a meter. I also bought 28 remnant pieces (mostly about 8-10″ strips around 45-55″ wide), about a third of which were gifts for my mother. For a few I found two pieces. These are all amazing fabrics and will be really fun to use, even in small amounts.
On January 8, 2019, it was a pure joy to have things so well set up that I could just turn on the lights and the machine and start sewing when the mood struck. This is when I finished the sewing machine cover. Only took about half an hour. I turned off the machine, covered it up, turned off the worklights, and went on with my day. Glorious!
My next projects were organizing my sewing materials and making a toy for my nephew Charlie, beg pardon, Space Commander Charles G.
Along with having a good sewing day, I ordered some pieces from Ikea (storage boxes for fabric, an organizer for notions, extra shelves to make the cupboards work better) and threw in two cheap duvet covers that were on sale at a price making them a great price for printed cotton fabric. One of those is a fun fabric I’ll be using for my first clothing project (see below). Ironically, the fabric storage boxes have been lost by FedEx twice between Ikea and my house, but the rest is turning out fine.
On January 18, 2018, I gave myself the treat of a visit to a new-to-me fabric store, Fabric Outlet, on Mission Street. Very friendly staff and I was such a happy Dinah puttering around and finding things. I got fabric and buttons for a present I’m planning to make (shhh, for now), fabric and twill ribbon to make myself a new apron that’s proportioned correctly for me (no more apron-side-boob!), a flamingo pink satin remnant that will be perfect for the belt for my next project (below), some linen and twill that may work to make coasters, fusible interfacing (a proper, non-remnant sized piece this time), thin batting, and a few interesting remnants.
On January 20, 2018, I began thinking through a more complex project, my first complete pieces of clothing: a set of lounge pants and a matching kimono jacket for an upcoming trip to very warm weather. (I’m sure these will also come in handy this summer, whenever we get one. It was never entirely predictable in San Francisco even before climate change.)
I washed the fabric, and while that was going I figured out the best of my current pairs of lounge pants to use as the basis for a pattern.
A quick and rather silly project was my diversion on January 22, 2019, when we had to cancel our usual D&D game and I had bonus time. I used a faaabulous girl’s t-shirt I found on clearance to make a pool tote.
Working on fixing some formatting issues as I proof my migrated data.
Finding a display issue with how the old !more tag is handled.
After more looking it seems like:
– you can’t search for HTMl like that tag in posts on wordpress.com, wait, no, I’m (delightfully) wrong and you can.
– I did a sneaky thing for a while in 2004 and on by styling the excerpt but not hiding it on a subpage to create a different look for my short linky blog posts (which look like nothing so much as tweets, a couple years before Twitter).
– debating how to deal with this now in the migrated content… and deciding to edit them all to remove the excerpt tag now that I’ve figured out how to find them all.